My Fahrenheit Night
Thursday, July 15, 2004
In spite of reading dozens of reviews and political articles, not to mention the entire transcript, I was rarely able to bring Fahrenheit 9/11 up in a conversation without being accused of not knowing my stuff because I hadn’t seen it. Well, today I finally saw it and I’m very glad I did. Incidentally, of the reviews I’ve read my two favorites are a lengthy fisking by Christopher Hitchens and an off-color piece by The Filthy Critic. Both are by liberals, both are quite funny, and both are absolutely on-target.
The first half of the film deals with the alleged Bush-Saudi connection, an allegation not only untrue but consisting of such a haphazardly-connected set of hypotheticals that I actually found myself bored with the predicable triteness. The later parts of the movie were far more compelling, as Moore exposes disturbing applications of the Patriot Act and depicts the horrors of war and death. As usual, he also uses his intimate connection with the working man to locate the absolute dumbest Americans to help embellish his central themes. There were a couple of funny parts, and a couple of points that would make an intelligent person think, but compared to Bowling for Columbine the entertainment value falls FAR short. It’s not all sardonic criticism though. To Moore’s credit, I thought the beginning and end of the film — especially the tie-together — were masterful. I also think the man is absolutely brilliant at the art of propaganda (not a criticism when it’s his self-stated goal) and used visual and audial tricks (read: subliminal messages) as effectively as anything I’ve seen to reach this objective. If those criteria count as artistic filmmaking then I see some legitimacy in winning at Cannes… though the politics couldn’t have hurt.
So, political implications? The film’s largest audience is undeniably the predisposed liberals, who largely went for the same reason I went to see Spider-Man 2: to watch a flawed hero kick some villain ass to rock music. The opposite extreme shows up from time to time as well. But none of these people were changing their vote anyway, so who cares? I’m not worried about the reasoned moderates on the grounds that they’re capable of making informed decisions about what want they see — though I do worry like hell about “educated” moderates because they have a high propensity to misidentify themselves as the reasoned ones. And finally, I have absolutely NO respect for what Moore is doing to the lower-class independent voter. Isn’t this the very type of person he’s supposed to have spent his entire life trying to protect from the other guy’s propaganda? Perhaps not that many of them chose to see the film in the first place, but I think Moore is hoping that just enough will to matter. And to the “but what about Limbaugh?” crowd, no that doesn’t make it okay in my opinion (I appeal to the “two wrongs” argument), but if you wanna talk about it Howard Kurtz does a whole thing on the phenomenon of retaliatory propaganda. Might be worth reading, since when Michael Moore Hates America comes out you can bet the issue’s coming up again.
I can honestly say after all this criticism that I do recommend seeing the film. The propaganda from both sides will get worse before it gets better, so we might as well learn about it from the master. Unless you’re one of those “educated” moderates, for whom I worry like hell.